



For the first two projects I was required to paint a couple of paintings of animals. The first one of an animal laying relatively still, and the second painting of animal or animals in a natural setting.
For my first painting I chose to paint my dog asleep, its hard to say whether I painted her without sentimentality. I have tried to paint her as I see her, so maybe it is unavoidable to a certain extent. Although she layed relatively still she was still pretty fidgety so in both paintings it was a case of getting the information down as quickly as possible. Although I did actually paint her from life I ended up having to paint a fair bit from memory. My tutor actually commented that although she wasnt painted quite correctly, I had managed to convey a sense of twitchiness , as if the dog was going to get up and move at any given moment. So I am pleased that I a managed to capture that.
The painting of pigs I sketched and completed quick colour studies in watercolour. The finished painting was actually constructed from a composite of different sketches, although I was glad that I had taken a photo as I hadn't really got quite enough information down in my original sketches.
I decided to paint a couple of pigs walking into the picture as I am quite interested in the composition of a photo and the compositon of a painting, not too disimilar to how Degas composed his paintings. I just thought it added to the painting personally, although its quite amusing how different people respond I have had both positive and negative comments about them walking into the painting.
I hope I have managed to capture them in their environment just doing what they normally do rooting around in the mud. I wanted to paint them as they are just behaving naturally not posed or cute looking, just being pigs.....
Pigs are, and especially these particular pigs are very hairy, I guess I cheated a bit when I painted them originally and didnt choose to paint that particular detail. However my tutor is correct as they do look a bit shiny and smooth. So after experimenting in my sketchbook with different brushes I have attempted to get a more lifelike feel to the pigs by adding texture and hair. This has made the painting much more lifelike , I am pleased with the result.I used a fantail brush and also very gently run an oil pastel in places as this I felt portrayed fur quite nicely.
My tutor also commented on the two pigs coming into the painting, the addition of theses pigs does indeed change the whole compostition of the painting and adds further interest, so I am pleased that I went with that decision as I think it was a good one. Thanks Degas.


